Triple-hole receiver for mounting up to three tom or cymbal arms on Yamaha cymbal stands, maximizing setup versatility.

The Yamaha TH904A Triple Tom Holder is a versatile, high-quality accessory designed to transform a single cymbal stand into a multi-stand for toms or cymbals, reducing stage clutter and enhancing setup flexibility. Part of Yamaha’s renowned hardware lineup, this 3-hole receiver fits into the lower pipe section (22.2mm/7/8" diameter) of most Yamaha cymbal stands, except the CS650 and CS655, and supports up to three tom or cymbal arms (not included) using Yamaha’s ball-and-clamp system for precise, full-range angle adjustments.

Crafted from chrome-plated steel with a plastic blanking cap for noise reduction and protection, the TH904A is praised for its robust construction and compatibility with both modern and older Yamaha kits, such as 25-year-old Stage Custom setups. Ideal for drummers looking to streamline their kit or create compact “hip-gig” configurations, the TH904A delivers Yamaha’s legendary durability and reliability, making it a favorite for live gigs, studio sessions, and practice setups.

Key Features:

• Triple-Hole Receiver: Supports up to three tom or cymbal arms, turning a cymbal stand into a multi-stand for efficient, space-saving setups.

• Ball-and-Clamp System: Yamaha’s hard synthetic resin ball and die-cast serrated joint allow full-range angle adjustments for precise positioning.

• Universal Compatibility: Fits 22.2mm (7/8") lower pipe sections of most Yamaha cymbal stands (except CS650/CS655), compatible with standard Yamaha tom clamps.

• Chrome-Plated Steel Construction: Durable, polished finish ensures long-lasting performance and a professional aesthetic.

• Plastic Blanking Cap: Reduces noise and protects unused holes, enhancing durability and setup cleanliness.

• Compact and Sturdy: Lightweight (approx. 0.7 lbs) yet robust, supporting toms and cymbals (up to 20" recommended) without compromising stability.

• Versatile Applications: Used in creative setups, like mounting cymbals above toms or on bass drums, praised for reducing stage footprint.